They continue to plumb sounds from distant lands, weaving in PortugalвЂ™s fado and collaborating with South African legends Ladysmith Black Mambazo, Australian musician Tash Sultana and one of their biggest influences, Johnson, who joins them on 2020вЂ™s sprightly вЂњDonвЂ™t Let Me DownвЂќ. The word fado means fate in Portugeuse and refers to a musical genre characterized by its melancholic and mournful music, similar to the type of music Milky Chance tends to make.

Sticky acoustic riffs always serve as the hooks that punchy, reggae-tinged (and sometimes hip-hop-leaning) grooves can grab onto with ease. Even as theyвЂ™ve expanded on their sound since-incorporating the infectious rhythms of Afropop and Latin dance music on 2017вЂ™s Blossom and 2019вЂ™s Mind the Moon-there remains a folk-like simplicity to their work. After that ensemble disbanded, the two stuck together and began drawing from the sounds of childhood favourites like Bob Marley and Jack Johnson to create the minimalist, beat-driven melodies of tracks like вЂњFlashed Junk MindвЂќ and breakout single вЂњStolen DanceвЂќ, both highlights from their 2013 debut album, Sadnecessary. Before establishing themselves as Milky Chance in 2012, Rehbein and school buddy and multi-instrumentalist Philipp Dausch played in a jazz quintet. But zoom in a little closer and youвЂ™ll hear vocalist Clemens Rehbein giving us the straight dope as he ruminates on the frustrating cycles between love and loneliness.

But zoom in a little closer and youвЂ™ll hear vocalist Clemens Rehbein giving us the straight dope as he ruminates on the frustrating cycles between love and loneliness. Colorful, colorful Hard to get painted black (fado) Beautiful, beautiful Doesnt know maniac (fado) Fragile soul, fragile soul. With Mind the Moon, Milky Chance offer a moon cycle's worth of sustained twilight-hour grooves.Milky ChanceвЂ™s bright, breezy acoustic pop comes dipped in liquid synths, evoking a laidback life one would imagine far away from the duoвЂ™s central Germany hometown of Kassel. Milky ChanceвЂ™s bright, breezy acoustic pop comes dipped in liquid synths, evoking a laidback life one would imagine far away from the duoвЂ™s central Germany hometown of Kassel. They achieve a similarly successful cross-border alchemy elsewhere, pairing with Belgian singer TГ©me Tan for the Afro-pop/electronica of 'Rush' and South Africa's acclaimed vocal ensemble Ladysmith Black Mambazo, who supply their warm harmonies on the dusky, bass-driven 'Eden's House.' Milky Chance also bring on board Australia's Tash Sultana for the mid-tempo reggae number 'Daydreaming.' In fact, laid-back reggae rhythms underpin much of Mind the Moon, as on the hooky 'The Game' and the dub-inflected 'Long Run.' Aesthetically, the yearning reggae, Afro-pop, and Latin vibes evoke the classic '80s style of artists like Sting and Peter Gabriel without ever sounding too overtly indebted to any one source. Milky Chance have always evinced a love of various global musical traditions and Mind the Moon is no exception, kicking off with the moody and melancholic anthem 'Fado.' Named after the lyrical Portuguese folk genre, 'Fado' is one of the group's most explicit homages to a style outside of their own and manages to capture the essence of the genre while marrying it to a hooky, contemporary pop sensibility. As with 2017's Blossom, the album again features contributions by guitarist Antonio Felix Greger. The third album from Germany's Milky Chance, 2019's Mind the Moon is a burnished, blue-hued production that finds the duo of singer/guitarist Clemens Rehbein and singer/bassist Philipp Dausch further expanding their eclectic folk and dance-pop sound.

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